About UsFlorence Turnour and Gwen Fisher IntroductionWe have both been artistically creative our whole lives, attending countless art courses and avidly reading fine art and craft books. Currently, we are enamored with beaded beads. We use original techniques that are decidedly different than the popular peyote stitch method of making beaded beads, giving our beads a fresh and different look. Like those who use peyote stitch, our main tools are a needle and thread; we do not use any glue or other adhesives. In our professional lives, we teach and study mathematics. Our training in mathematics has helped us to more easily discover connections between seemingly unrelated ideas and forms, simplify a complicated pattern into its elementary parts, and combine those parts into new, complex forms. Through our work as educators, we have learned how to find the essence of a complex idea and help our students understand it. Likewise, when we develop the pattern for a new design, we concentrate on finding the easiest way to execute the design as well as the best way to communicate it to others. As artists, we take advantage of our education and background; we experiment with color, texture, form, symmetry (or lack thereof), and technique in a systematic way, searching for designs that are simple, elegant and unique. Artist's StatementsGwen Fisher's Artist Statement A remarkable feature of bead weaving is its scalability, and my incarnations are worked at the small end of that scale. I use beads as little as 1.5 mm by 1 mm to build clusters of beads, tiny enough to be worn as jewelry, or just to be carried in a pocket, like a good luck charm. While most of the individual beaded beads that I make are under 5 cm long, their designs have the potentiality to be scaled up to the size of large sculptures, so within their miniature frameworks is the potentiality of skyscrapers, or so I like to imagine. I design patterns, or instructions, so that other people may enjoy reproducing my bead weaving designs. These patterns are intended to be beautiful objects in their own right. The drawn lines that represent the thread, the placement of the beads in the drawings, the colors, the photographs and layout, these are all important components of a beautiful pattern. Moreover, a pattern should be readable. I want the viewer to gain as much enjoyment from just reading the pattern as from executing it with real beads. The culmination of my written patterns as an art form comes when a viewer, or more precisely, another bead weaver, creates a real beaded bead from the pattern. In this way, the viewer of my artwork is not merely passive, but becomes an active participant in its creation. Art PublicationsJoint publications of Florence and Gwen
Exhibitions, Shows and PresentationsGwen Fisher's Exhibitions and Shows January 2012, "Using Tiling Theory to Generate Weaving Patterns with Beads," Contributed Papers Session on Art and Mathematics, Together Again, Joint Mathematics Meetings, Boston, MA PDF January 2012, "Beaded Star Weaves: Five Bracelets," Joint Mathematics Meetings (JMM) Exhibition, Boston, MA Exhibit February 1-23, 2010, Laramie County Community College Art Gallery, Cheyenne, WY, "A Mathematician Weaves Beads" February 19, 2010, Articulation Conference 2010, Laramie County Community College, Cheyenne, WY, Keynote Speech "How I Use Symmetry in My Art" Flier University of Nebraska, Lincoln, Mathematics Department Annual Pi Mu Epsilon Talk, "Visualizing Symmetry: How I Use Symmetry Groups in My Art" April 2009. Abstract and announcement August 3-4, 2007, "Various symmetric beaded beads" Special Interest Group of the Mathematical Association of America-ARTS Exhibit of Mathematical Art, Mathfest of the MAA, San Jose, CA March 2007, Beaded jewelry show, Art after Dark, Naturally Jennifer's Gallery and Beads, San Luis Obispo, CA Banff International Research Station, “Innovations in Mathematics Education via the Arts” January 21-26, 2007 March 2006 to present, "The Quaternions Quilt," "D Intersect H Quilt," and the two-sided "Celtic Knot and Squared Square Quilt," Mathematical Sciences Research Institute, Berkeley, CA January 2006, "Symmetric Beaded Beads" American Mathematics Society's Mathematical Art Exhibit, Annual Joint Mathematics Meetings, San Antonio, TX Image January 2005, "Symmetry I" American Mathematics Society's Mathematical Art Exhibit, Annual Joint Mathematics Meetings, Atlanta, GA Image Florence Turnour's Exhibitions and Shows April 2000, "More Than He Can Chew" ceramic birdhouse, Out on a Limb, A National Juried Exhibit, City Museum, St. Louis, MO EducationGwen Fisher's Education Ph.D., University of Wisconsin at Madison (August 2001) M.A., University of California at Santa Barbara (December 1996) B.A., University of California at Santa Barbara (March 1992) Florence (Newberger) Turnour's Education Ph.D., University of Maryland, College Park (August 1998) B.A., University of California at Santa Cruz (June 1992) Mathematics B.S., University of California at Santa Cruz (June 1992) Geophysics |
|
All images, designs, and text on this site © 2005-2014 Florence Turnour and Gwen Fisher.
Permission required for any capture or reuse.
beAd Infinitum, P.O.Box 8074, Long Beach, CA 90808 |